Time Warp
C.S. Lewis's "Space" Trilogy
Randy Streu
Of
all the space-based
science fiction to come out of 1930s and '40s,
Lewis's "Space" trilogy is among the most unique. The three books are
self-contained stories, but also work into a more complex, complete
narrative.
In short, Lewis's Trilogy is about a man, Ransom, who
is taken into space and meets the inhabitants of, first Mars, then
Venus -- and the Creator of those planets and races. In these
meetings, it is revealed that there is a war going on between the
forces of Oyarsa and Maledil -- the rulers of the Universe, and of the
Solar System in particular -- and those of "The Bent One," who lives in
exile on "The Silent Planet" of Earth.
Book 1, "Out of the
Silent Planet," details Ransom's first forays into this new territory,
kidnapped by unethical and ambitious scientists as, they believe, a
sacrifice for one of the races on the planet Mars. Published in 1938,
this book has much in common with other space-based literature of the
period: new and exotic lands, interesting -- and some potentially
dangerous -- alien creatures, and the ultimate discovery of some hidden
truth about the Universe.
Book 2, "Perelandra," features Ransom
being taken by Oyarsa to the planet Venus, a literal paradise, to help
the two inhabitants avoid the folly of Adam and Eve on Earth. A
darker, but more spiritual work than the first, "Perelandra" sees
Ransom struggling with his own fallen humanity and doubt, even as he
works to protect the innocence of others.
The final book of the
series, "That Hideous Strength," is also both the darkest and most
human of the pieces. Lewis subtitled the book "A Modern Fairy-Tale for
Grown-ups," and indeed, with the whole of the book set on Earth, it is
far less a "science fantasy" like the first two, and more an early
"urban fantasy." Set against the backdrop of a dark social engineering
conspiracy echoing the later-published "1984" in the scope of its
depravity, this book brings to a head the battle revealed in the first.
The
three books are charming and witty, providing a glimpse into English
life around World War II, while also providing timeless stories. In
many ways, the first two books seem dated, thanks in large part to the
use of local planets like Venus and Mars as settings. Even so, this
doesn't detract from the entertainment. But it is the third book that
really stands out as not merely ahead of its time, but eerily
prescient. It's a testament to Lewis's skill as storyteller that what
were charming space adventures ends in a political dark fantasy in the
third book, without breaking the narrative between the three.
The
books needn't be read together to make sense, but the deeper story
definitely makes it worthwhile to do so, and in order. Family
friendly, indeed, Christian, science fiction and fantasy is still a
rarity today, and it is a treat to be able to read an early master like
Lewis and discover exactly how large a debt is owed by modern
fantasists.